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(Hayes 1977, 42) The Calders move to Spuyten Duyvil, New York. (Calder 1966, 34–35) 14 August: Stirling is appointed as the acting chief of the department of sculpture of the Panama-Pacific International Exposition in San Francisco. (Calder 1966, 36) June: The Calders move to San Francisco.

Texts by James Johnson Sweeney, Michel Butor, Jean Davidson, Giovanni Carandente, Pol Bury, Gabrielle Buffet-Picabia, and Francis Miroglio; reprinted texts by Jean-Paul Sartre and Fernand Léger. The challenge is to move the animals from their pens without having two animals in the same pen at once. Stirling rents a studio in New York City on 51 West Tenth Street.

Produced and directed by Hans Richter, assisted by Miriam Reaburn; cinematography by Arnold Eagle; music by Louis Applebaum. Sponsored by New World Films and Motion Picture Stages. (Calder 1966, 53–55; CF, Patterson to ASCR, 26 April 2010) Mid-June: Arriving in San Francisco, Calder takes a lumber schooner to Willapa Harbor, Washington, where he catches the bus for Aberdeen and meets his sister Peggy and her husband, Kenneth Hayes.

Directed and cinematography by Herbert Matter; produced and narrated by Burgess Meredith; music by John Cage. Of the whole trip this impressed me most of all; it left me with a lasting sensation of the solar system.

Cinematography by Paul Jones, Robert Molin, and Maxime Dely; music synchronized by Audio Review Symphonic Orchestra. "Secrets of Life in the Famous 'Latin Quarter,' the Follies, Triumphs and Tragedies in the Strangest Collection of Queer People in All the World, Revealed by Mlle. Written and narrated by Agnes Rindge Claflin; cinematography by Herbert Matter; filmed and recorded by Hartley Productions. He advised me to do what I really wanted to do—he himself often wished he had been an architect. (Calder 1966, 59) Summer: Calder writes the Kellogg Company and suggests they modify their cereal packaging, putting the wax paper on the inside rather than on the outside of the boxes.

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